I’ve always known a version of Peter Pan, the boy who wouldn’t grow up. My first memories of Peter are Disney’s animated version landing on the minute hand of Big Ben, and Mary Martin magically soaring across the Darlings’ nursery. One of my all-time favorite movies, “Hook,” imagines a world where Peter leaves Neverland and — perish the thought! — grows up.
For over a century, generations have met, loved, and believed in the various adaptations of this classic character. The story of Peter Pan is such a part of our collective DNA that it’s hard to believe there was a time he was only a speck of fairy dust in J.M. Barrie’s imagination.
And yet that is where “Finding Neverland” begins, in early 20th century London, with playwright J.M. Barrie struggling to write a hit play under the pressures of time and expectations. The Broadway musical, based on 2004 film, has landed at the Wharton Center and will play to audiences through December 17.
Directed by the Tony Award-winning Diane Paulus (“Pippin”), “Finding Neverland” is equal parts history lesson and life lesson. It shares not only the origin story of how Peter Pan came to be, but also delves into themes of loss, escapism, and what can happen when we choose to write our own story.
As J.M. Barrie, Billy Harrigan Tighe captures the youthful spirit of a man who hasn’t abandoned his inner child. Barrie’s chance meetings in Kensington Gardens with widowed Sylvia Llewelyn Davies (a lovely Lael Van Keuren) and her four boisterous sons George, Jack, Michael, and Peter become the inspiration for his newest work.
The Llewelyn Davies children are the fun and spark of “Finding Neverland,” as children ought to be. They remind their friend Mr. Barrie about the power of play; he in turn becomes a source of stability in their fragile world, as their mother becomes increasingly ill.
I much preferred the elaborate ensemble numbers to the ballads, not for lack of talent by the leads, but because of the creative staging and strength of the cast together as a whole. I especially enjoyed “Believe,” “We Own the Night,” and “Circus of Your Mind,” which are all a spectacle for the eyes.
The first act builds slowly, but pays off with its soaring Act One finale “Stronger,” which dives into Barrie’s imagination with his creative cheerleader Captain Hook and his band of pirates.
The fun and fantasy of the show comes to life in this moment, and carries through to the second act. The appearance of Captain Hook is one I anticipated with excitement, especially after my interview with John Davidson.
Played Tuesday evening by understudy Matthew Quinn, Captain Hook is the devilishly fun and encouraging foil to doubtful American producer Charles Frohman (also played by Quinn in a dual role). Even with his lack of faith in Barrie, Quinn’s Frohman is less villain and more lovable tightwad.
Equally lovable is the rag-tag group of actors and actresses in the appropriately dramatic theater troupe. Dwelvan David is the standout of this ensemble and easily gets the best line (and biggest laugh) of the show.
Along with many laughs, “Finding Neverland” also creates beautiful, quieter moments, particularly with the use of light and projections. One lovely effect happens in the “Neverland” duet between Sylvia and Barrie, with their shadows becoming their own characters dancing in the background — a playful reference to Peter Pan’s shadow.
Another beautiful moment comes toward the end of the show, as the weakening Sylvia finds her way to Neverland by way of a sparkling cyclone of glitter and light.
It is truly one of the most stunning effects I have seen in live theater, giving a sense of peace to a bittersweet moment. No matter your faith or belief, there’s comfort in imagining we can all find Neverland with a little faith, trust, and pixie dust.
Beyond the show itself, what warmed my heart on a bone-chilling December night was seeing so many families attending the show together — grown ups and children enjoying the theater, just as J.M. Barrie intended when first bringing Peter Pan to the London stage.
“Finding Neverland,” like the story of Peter Pan, is a show for the young and the young at heart. It is certain to make audiences of all ages believe in fairies, the power of imagination, and, most importantly, themselves.
“Finding Neverland” at Wharton Center is a gift to enjoy this holiday season. To learn more about the show and purchase tickets, visit www.whartoncenter.com.